Friday, 13 November 2020

New Swedish Writing in English

The theme of the new issue of Swedish Book Review (now re-conceived exclusively as an online publication) is Emerging Voices in Swedish Literature, with work by Pooneh Rohi, Kayo Mpoyi, Adrian Perera, Balsam Karam and Joel Mauricio Isabel Ortiz. There are also reviews of new titles, including poetry with Burcu Sahin's Broderier (Embroideries) - also featured in an earlier post here

The editors of the new site are to be congratulated on its pleasing and variegated design.

Saturday, 10 October 2020

Away from introspection

An interesting and thought-provoking interview with Estonian poet Elo Viiding in the current issue of ELM (Estonian Literary Magazine), with reflections on poetry and the poet's task that times have echoes of earlier Nordic voices including, perhaps, Ekelöf, and even Tranströmer:

Recently I've been distancing more and more from introspection as beneficial. Instead of psychoanalysis, I'm more interested in how a person can realistically act for the good of someone with fewer opportunities, be those spiritual, intellectual or material. Not society -- that's too narrow a concept; society is made up of kindred thinkers who generally thumb their nose at others -- but rather to do good for those who suffer from abandonment, socially in a certain sense, instead of delving into yourself (and even into ideas). I'm striving to do that in this phase of my life.

In general, a varied and colourful issue of the magazine -- it's now one of the best English-language literary journals in the Nordic region, at times reminiscent of the now sadly dormant Books from Finland, but more often with a viewpoint and energy of its own, and quite unlike anything currently around in the U.K. or America. There's also a quiet tribute to the life and work of Estonian literary translator Eric Dickens.

Friday, 7 August 2020

Thursday, 16 July 2020

Kallocain Audiobook

The audiobook of my translation of Kallocain is now available from Audible, in a reading by Danish actor Claes Bang. 

Also from Amazon.

Thursday, 25 June 2020

The Smell of Snow

Me reading my translations of 'Ånd', 'Prana' and 'Rimtåge' from Pia Tafdrup's LUGTEN AF SNE.

Friday, 19 June 2020

Over the Water

I'm working on the translation of this book again, after an interval of just over twenty years. It's important for an inward understanding of Pia Tafdrup's poetry, and looks both backwards and forwards across her career as a poet. 

A poem has its own logic and integrity. In one sense or another it demands to be whole. The Greek word σῠ́ντᾰξῐς means order or composition. An immanent need for order will therefore be associated with crystalline form –  even though it sometimes conflicts with the content. My poems want light. In yearning for calm, insight and beauty. The work of the poem is an unconscious demand that an inner connection be created within it, where each word will have its place, like the atom in the crystal.

Friday, 22 May 2020

Kross and Translators

A beautifully produced issue of ELM, the Estonian Literary Magazine, just arrived. Some interesting content, all available online, including interviews with Dutch translators of Jaan Kross, who have their own refreshingly non-academic views on literary translation:

There are many theories of translation, but from what I’ve heard, translators mostly shrug them off in practice and just keep going as they were. Is there any theory of translation or simply a translator’s creed that you hold dear? Did translating Kross put it to the test in any way?
FvN: I’m no theoretician, but I believe the practical summary of translating is an eternal question phrased by the poet and translator Martinus Nijhoff, whom the Netherlands’ most prestigious translation award is named after: “In what kind of Dutch would a foreigner have written their book if they were Dutch and have relied upon in terms of their conceptual form?” One must always keep that question in mind.
JN: Just like Frans, I’m no theoretician. Apart from a few courses on translating Russian literature, I also do not have much formal education in literary translation. I think I learned most while translating The Man Who Spoke Snakish in 2014, for which I received funding and practical help (a mentorship) from the Dutch Foundation for Literature. Since Frans was the only active translator from Estonian at that time, and was more experienced, he served as my mentor. He taught me many things, but most of all, I learned to be more precise. I remember him saying, “What is lost in your first version (or first ‘working’ translation) is most likely lost forever.” I always have that sentence in the back of my mind when I’m translating. And, needless to say, it’s a very important lesson when you’re translating the work and the style of a writer like Jaan Kross.

Monday, 18 May 2020

Gaelic and Norse

In the fifth month of Scots Gaelic, a periodic reminder of the Norse and Nordic influence on the language, words that have a familiar ring to them: an-diugh, bràthair, màthair, athair, uinneag, coineanach, bòrd, bàta, stiùir, trosg, bròg, gàrradh, margaidh, sgillinn, and many more.

Thursday, 30 April 2020

Kallocain Audiobook

News from Penguin that there's to be an audiobook recording of my translation of Karin Boye's KALLOCAIN, scheduled for release in July.

Saturday, 25 April 2020

Coronavirus Constructions

At Literary Hub, Siri Hustvedt writes about Reading in a Pandemic:
I had headache, body aches, chills, cough, chest constriction but no fever. I was in bed for a week and then the symptoms lingered. I recovered. There were no tests so I don’t know if it was Covid-19 or something else, but Boccaccio’s book, which I have long loved, haunted me as I lay in bed, and I returned to it.


Norvik Press has some excerpts from new translations of Hagar Olsson's Chitambo (tr. Sarah Death) and Karin Boye's Crisis (tr. Amanda Doxtater)

The publisher notes:
In many countries, the lockdown continues. We are thinking of you all.

Thursday, 23 April 2020

Sheep View 2

Also on the theme of Faroese writing, there's an extensive dual-language anthology of contemporary Faroese poetry in a special issue of the online literary magazine PLUME. The poets include Daniella Louisa Andreasen, Sissal Kampmann, Vónbjørt Vang, Oddfríður Marni Rasmussen, Guðrið Helmsdal and Tóroddur Poulsen, and the translations are by Randi Ward.

Wednesday, 22 April 2020

Sheep View

William Heinesen (1900-1991) is probably still the best-known Faroese writer internationally - perhaps because he wrote in Danish, and perhaps also because of the English translations by W. Glyn Jones. Yet there is a considerable body of Faroese literature written in the Faroese language, most of which still awaits international recognition. On the British Library's European Studies blog, Pardaad Chamsaz writes about a collection of books of modern Faroese writing the Library has recently acquired, noting the problems encountered by Faroese authors in making their work known and read abroad:
It is safe to say that Faroese writers have a difficult task to become known beyond their shores. As the Faroese nominee for the 2020 Nordic Council Literature Prize, Oddfríður Marni Rasmussen, writes, ‘only a half-dozen or so can make a living off their writing. And in order to do that, a writer has to be translated into a bigger language, but publishing houses in other countries do not want to spend money on some book from the Faroe Islands.

Saturday, 18 April 2020

The Bat Effect

by Pia Tafdrup

We have learned that a wing-beat
from a butterfly on one
side of the globe
can cause a storm
on the other,

we now also know that a virus
has transmitted itself
from a bat to a human
at a market in Wuhan,
the sick person’s coughing has spread
a swirl of Covid-19 to the rest of the world
without discriminating
between gender, ethnicity or religion.

A storm of corona, a storm of infection,
tiny particles like invading parasites
in living cells
induce coughing, fever, difficulty
with breathing,
lead to slow suffocation.

Suspected cases are quarantined, the rest of us
forced into a time-warped community
where we have in common
each being confined to our homes,
unless at high risk
we’re performing essential tasks.

Thursday, 16 April 2020

Day 16

My translation of Pia Tafdrup's poem 'På alle sprog' (from the Bloodaxe volume Salamander Sun and Other Poems) was chosen for Day 16 of National Poetry Month here in the UK.

Saturday, 22 February 2020


There's an interesting review of my Penguin Classics translation of Karin Boye's dystopian novel Kallocain with a number of perceptive comments on the book itself, at Shiny New Books:
The slightly ambiguous ending did leave me wondering what future there was for humanity and whether the race would escape from its claustrophobic control; I guess only time would tell, in the same way as it’s hard to tell know how we will come through the present difficult phase of our planet’s history where certain elements are so busy dehumanising those whom they perceive to be different.